![]() Perhaps the closest 21st century analogue in terms of political and cultural impact is Jeezy and Nas’ “My President.” It’s materialistic, but the charm doesn’t rest in the blue Lambo this is the ecstasy of having a black president, physical proof of there existing a limitlessness in being African-American. “Once we finished that, it opened Kendrick’s mind to go where he went with it.” People thought it was crazy to throw a saxophone on a song like that, so I had to tell everybody, ‘Trust me, it’s gonna feel right.’ I got Terrace Martin in there - he killed it. “In order for it to work, I had to make it feel like the rest of the album. ![]() I just remembered that fact that we loved the skeletal version of the ‘Alright’ beat that Pharrell did,” Sounwave says. “We needed that high-intensity song but just didn’t have it yet. In that quest for an undeniable LP centerpiece, they stumbled onto a generational hymn. “Alright” was finished a week before To Pimp a Butterfly’s release as its conspirators decided they needed that one beacon to shine through the album’s multi-genre thicket. Kendrick Lamar and company sat for months on choir of Pharrell voices that became “Alright.” During that timespan, Akai Gurley and 12-year-old Tamir Rice were introduced to the nation not as sons, but corpses.
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